Songbook: The Ultimate Guide To Rihanna’s Reign, From Her Record-Breaking Hits To Unforgettable Collabs

In addition to her film roles, Rihanna made notable television appearances, including recurring parts in the psychological thriller series “Bates Motel” in 2017. This hit catapulted her to international fame, earning her first Grammy Award and redefined her image as a confident and edgy artist. Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in Barbados, swiftly ascended to global stardom after signing with Def Jam Records at just 16.
Her work has influenced artists such as Lorde, Sam Smith, Billie Eilish, Selena Gomez, Ed Sheeran, Ellie Goulding, Kim Petras, Marilyn Manson, Jessie J, SZA, Ayra Starr, and Demi Lovato. In July 2015, the Recording Industry Association of America (RIAA) announced that Rihanna had surpassed 100 million gold and platinum song certifications. In 2012, she set a Guinness World Record as the best-selling digital artist in the US.
But if you want to add a bit of prestige to your supernatural soundtrack, there’s another list of Halloween-friendly songs to check out — one that highlights another celebrated annual occasion. With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s “The Monster.” More than 40 years later, she’s still happy to discuss and play that single she recorded back in Kingston as a young woman.

• In 2022, Rihanna advocated for reforming the global financial system to better address climate change and poverty, including providing aid to nations most affected by climate-related crises.
• Some songs, like “peace,” were recorded in just one take, capturing the essence and fragility in the song’s story, whereas the lyrics for the sun-drenched “august” were penned on the spot as Swift was in her makeshift home studio in Los Angeles.
• An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear.
• Rihanna has eight number-one singles on the Hot R&B/Hip-Hop Songs chart, seven on the Airplay chart, and sixteen on the Rhythmic chart.
• The Super Bowl performance earned Rihanna five Primetime Emmy Award nominations, including one for Outstanding Variety Special (Live).
• With its follow-up, “Our Song” — which spent six consecutive weeks on the top of Billboard’s Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album.
• In June 2010, she collaborated with rapper Eminem on the single “Love the Way You Lie”.

Rihanna has delivered pop hit after pop hit since bursting onto the music scene in the mid-2000s. The album’s lead single, “Work,” featuring rapper Drake, spent nine weeks at No. 1 and earned two Grammy nominations. In January 2016, Rihanna released her eighth album, Anti, allowing Jay-Z’s online streaming site Tidal to exclusively feature the collection of tracks for a week. The album included “We Found Love,” a track with DJ Calvin Harris that won the 2013 Grammy Award for best short-form music video. Less than a year later, when Rihanna was only 16 years old, she left Barbados to move in with Rogers and his wife in Connecticut and work on recording a demo album.
In 2016, it was confirmed that Rihanna would release her music through her own label, Westbury Road Entertainment, founded in 2005 and named after her childhood home in Barbados. Including Beyoncé and Jay-Z, 16 artist stakeholders co-own Tidal, most of whom own a 3% equity stake. He highlighted her multifaceted career, “from her business achievements through Fenty to her tremendous record as an activist and philanthropist”.
Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates. And with that tour having celebrated her life’s work up to now, The Life of a Showgirl feels like the exhale before a brand new beginning. “That always chokes me up because it transports me right back to that actual memory of standing on that stage for the last time on that tour that was so important to me, and the tour that really inspired this album. So it’s the last track of the album and a really special one to me.” For a project about being a showgirl, introducing people to the concept of the album at the end was puzzling for some. For her, finding a balance between her career and love, and realizing that they can coexist, makes this album one of Swift’s most — if not the most — romantic to date. Yet these songs admit that she doesn’t want to carry it all alone; she wants partnership, to build something with someone else.

• Although Swift’s eponymous debut is underappreciated now — even lacking its own set on Swift’s Eras Tour — Taylor Swift’s forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer’s current and more refined vocals.
• Rihanna has been described by the media as a pop and fashion icon, particularly since the release of Good Girl Gone Bad (2007).
• Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider.
• No longer was she the girl writing songs like “Fifteen” in her bedroom — now she was working through becoming a highly publicized figure.
• Rose is a high-society young woman who is being forced into a loveless marriage with a wealthy man.

Rihanna on A$AP Rocky: ‘I chose right!’

True to her Carribean heritage, Rihanna’s dancehall-inspired debut single “Pon de Replay” earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it’s all put her in a league of her own. Performing hit after hit while unveiling a baby bump, her 13-minute set became one of the most-watched halftime shows of all time with over 121 million viewers. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time.

Rihanna debuts new baby bump at Met Gala

While the world is still anticipating her ninth studio album, Rihanna — now a mom of two boys — continues to make her own rules and move at her own pace. With the glorious “Lift Me Up,” she found herself in the top 10 for the first time since 2017’s “Wild Thoughts.” Ever since ANTI, Rihanna’s devoted fanbase has been begging for a new album, with Rih playfully trolling them with responses like “I lost it” and Instagram captions that read, “Me listening to R9 by myself and refusing to release it.” Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come. For instance, “Sex with Me” is featured on the deluxe edition as a bonus track, but managed to crack the Hot 100 at No. 83 and reach No. 8 on the R&B/Hip-Hop Airplay chart. Elsewhere on ANTI, Rihanna drunk dials an ex (“Higher”), compares smoking weed to her lover (“James Joint”), and chastises a guy for getting emotionally attached after their fling (“Needed Me”).
In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on “unhappy” endings — stories of failed marriages (“happiness”), lifeless relationships (“tolerate it”), and one-time flings (“’tis the damn season”). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct “eras” between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift’s sixth No. 1 album in America, making her the first female artist to achieve the feat.
Looking at Lover retrospectively, it’s an album that almost symbolizes a bookend in her discography. Writing reputation became a lifeline following the events that catalyzed it  — a way to shed the so-called snakeskin and make peace with however the public wanted to view her. And even despite matching the 1.2 million first-week sales of her previous releases, some concluded that the album was her first commercial failure when compared to 1989. Even after Swift spent some time away from the spotlight, the public didn’t immediately gravitate toward her return.
She didn’t want to be just “another girl singer” and knew writing her own songs would be what set her apart. Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. A once-in-a-lifetime generational storyteller, one could argue that she is music’s modern-day maverick, constantly evolving both her music and the culture around her. Sadly not a tribute to the classic ’60s sitcom starring Elizabeth Montgomery, Bewitched is instead a self-described “love album” that helped Laufey surpass Björk and Sigur Ros as Iceland’s most streamed artist.

An Era-By-Era Breakdown Of Taylor Swift’s Career

And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
Seven years into an already extraordinary career, 2012’s Unapologetic became Rihanna’s first album to debut at No. 1 on the all-genre Billboard 200 chart. With this feat, she became the youngest artist to attain the most chart-toppers in a five-year span. That same carefree spirit can be heard in the feminist track “Raining Men,” which features Nicki Minaj — their first of two collabs, as they joined forces again for “Fly,” the final single off the rapper’s iconic Pink Friday album. While “What’s My Name?” may not outshine Rih and Drizzy’s other collabs — including 2011’s “Take Care” or 2016’s “Work” — the second she sings, “Hey, boy, I really wanna see if you can go downtown with a girl like me,” it’s impossible not to whine your waist to the riddim. Through lead single “Russian Roulette” and bitingly catchy anthems “Stupid in Love,” “Fire Bomb,” “Photographs,” “Cold Case Love,” and “The Last Song,” Rihanna explored her angst and confusion. Rihanna was a familiar face by 2007, but with the arrival of her third studio album, Good Girl Gone Bad, she graduated from cookie-cutter pop star to bonafide icon.
Swift’s now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with “I Wish You Would” and “Out Of The Woods”; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights. The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart. Following the more country-influenced Speak Now, some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out.

How Rihanna’s “Work” Reinvigorated Dancehall

Rihanna’s first studio album, Music of the Sun, was released in August 2005 to much intrigue. Her last No. 1 single, “Work” featuring Drake, topped the chart for nine weeks. Her first No. 1 song, “SOS,” topped the chart for three weeks in 2006, while her Grammy-winning Jay-Z collaboration “Umbrella” far surpassed that the following year, maintaining the lead spot for seven weeks.

Music of the Sun

It was a very vulnerable time in my life, and I refused to let that be the image. In addition to being a talented recording artist, Rihanna is a billionaire entrepreneur with multiple successful business ventures. Rihanna’s latest work, Anti, arrived in January 2016, topping the mainstream album chart for two weeks. In June 2007, Rihanna released her third album, Good Girl Gone Bad, to much fanfare. The album’s second single, “If It’s Lovin’ That You Want,” made it into the top 40. Rihanna released her debut album, Music of the Sun, in August 2005.
“And, baby, that’s show business for you,” Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it’s clear she’s closing the chapter — or should we say era — of her life that was the catalyst to the new one she’s stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted betista casino the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.
Rihanna returned to her more upbeat sound with her fifth studio album, Loud, which was released on November 12, 2010. The album debuted at number four on the Billboard 200 chart and sold 181,000 copies in its first week. The incident and its aftermath influenced her artistically, prompting her to begin work on her fourth studio album, titled Rated R, one month after the Grammy Awards. The reissue of Good Girl Gone Bad, subtitled Reloaded, was released on June 2; selling 63,000 copies in its first week, it helped the original album rise to number seven in the US. The resulting album, Good Girl Gone Bad, was released on May 31, 2007, to critical acclaim. Aiming to dismiss her girl-next-door image in favour of a more mature and rebellious persona, she worked with such producers as Ne-Yo, Timbaland, Justin Timberlake, and Tricky Stewart for the album.

Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.